Barry D Cooper BSc DipCHP HPD AdvDPLT MNCH(Acc) MBPsS

NLP – The Concert

The Concert
by Barry Cooper

The following is a sample script for an Ericksonian trance induction, using the three primary representational systems used in NLP – V(visual), A(auditory) and K(Kinaesthetic – feelings and emotions).

I wonder if you can picture yourself at the entrance to a large concert hall-perhaps a real hall that you have seen, or an illusionary one that you can visualise, it doesn’t matter – you enter an impressive, richly decorated foyer, go up a beautiful winding staircase into the brightly-lit hall. Looking around, you may notice that the hall is empty, or perhaps other members of the audience are already in their seats, but you make your way to your seat, the best in the hall, and find you have a brilliant, clear view of the concert platform straight in front of you. And now you see that the members of the orchestra are making their way onto the platform; the violins, violas, the much larger cellos and double basses, the contrasting colours of the woodwind and the shiny, polished brass, the percussionists assembling behind the kettledrums and xylophone already on the platform. Now you watch the leader of the orchestra come in, as all the other players stand for a moment, ¬†and now the conductor appears, tall, distinguished, confident looking. I wonder if you can visualise the scene as he mounts his rostrum and raises his baton, and the players take up their instruments.

You hear the music begin softly and slowly, but it fills the hall with sound. You know the music well, in fact it’s your favourite melody and you’ve listened to it many times, but perhaps you haven’t heard it played by an orchestra before. You listen as the tune begins with a whisper quietly in the strings – then the bird-like sound of the flute soars over them, now the rest of the woodwind take up the tune, and as the volume increases, so does the tempo. As the sound swirls around you, faster and louder than before, you hear the mellow sound of the horns, followed by the more powerful sound of the trombones, all playing your tune, and now the clear, bright sound of the trumpets introduces the climax of this section. The whole orchestra is playing now, at full volume, followed by a short pause… as the music begins again, quietly, with the high, thin sound of a solo oboe, then with quiet accompaniment from the violins, and now the woodwind section fills out the harmonies…

…and the calm, peacefulness of the music, together with the comfortable warmth of the hall, and the gentle softness of your seat beneath and behind you, bring feelings of both joyfulness and relaxation, and the tranquility reminds you of a favourite place, perhaps in the countryside, or a park, or by the sea, and you can sense your thoughts wandering to that place, and feel now the pleasant warmth of the sun on your body, a gentle breeze on your face, the sensation of the ground beneath your feet as you walk at a comfortable pace through your place, where you know you can feel safe, secure and in perfect rapport with nature and yourself, and perhaps you can be sensitive to the inner glow which the empathy of this place can bring to you, and know that you have experienced a profound, deep-seated understanding of your unconscious and its power to instil these feelings of joy and peace within you, and now you can become aware again of your physical body, sitting comfortably in this room, and feel the softness of the chair beneath you, your hands resting gently in your lap, your feet settled in front of you…